Family Album – Issue 52

Fort Wayne, Ind., Tracy and Dan Houser
Our 1924 Prairie/Craftsman foursquare was a diamond in the rough when we bought it eight years ago. After many hours of scraping Victorian wallpaper, refinishing wood floors, remodeling the kitchen and a half bath, along with extensive landscaping, our diamond is beginning to shine. We were honored to be included on the Oakdale Neighborhood Association’s Home and Garden Tour.

Cherry Valley, Calif., The Gray Family
My wife and sons and I built our home in 2002. We are a family of firefighters, but I had a custom cabinet and furniture shop for many years and fell in love with everything Craftsman. My boys and I did many of the finishing touches, from the rock work outside to the beautiful front door and custom furniture and millwork inside. It’s not a hundred years old, but the same feelings of family and home went into its building.

Austin, Texas, David Keene
This 1920 Craftsman bungalow is a rarity in the Texas Hill Country. Originally built in a bungalow district near downtown, the house was moved in 1974 to its present location in a rural wooded neighborhood 11 miles away, in the rolling hills near Lake Austin. The attic was finished out with two additional bedrooms (without changing the roofline) after it was moved, resulting in a spacious yet authentic bungalow with longleaf pine floors, shiplap walls, a huge front porch and triple-hung windows with original glass.

Brisbane, Australia, Bruce and Trish Stott
Our timber California bungalow was built in 1930. We have tried to stay with the bungalow-style interior through extensive renovations; the lounge and dining room have the original light fittings and plaster ceilings, but the floor plan has been reworked to accommodate views and increase air flow. Summer temperatures here routinely exceed 100 degrees, and we feel we now have a very energy-efficient home.

Houston, Texas, Kathleen High
We purchased this 1920 Craftsman last year in historic Houston Heights, a pocket community just outside downtown. (Historic homes are few and far between in Houston, where a “knock-’em-down” mentality prevails.) We gutted it to the walls and updated the interior for 21st-century living, but we kept it period on the exterior, including historic colors. Houston Heights is undergoing a complete rebirth, with older homes being restored and new ones being built in period style.

Alton, Ill., Christine Banda and Kim Shelley
It has been a pleasure to live in our 1923 foursquare home in this historic river town just outside St. Louis. It has four bedrooms, 11/2 baths, very spacious living and dining rooms with built-ins, and an all-year sunporch. Built as a wedding present, it is one of many bungalows and foursquares designed by prominent Alton architect James J. Maupin.

Corvallis, Ore., Doug Eaton and Roen Hogg
Built near Oregon State University in 1922, this Craftsman airplane bungalow exhibits a strong Japanese influence with some Swiss elements, making it unique in town. When we bought it in 1989 it had fallen into rental oblivion, and decades of Oregon rain had taken their toll. After completing major exterior structural work, it has been fun to restore the original fir and oak floors and put in a period kitchen with vintage appliances. The home has the peaceful, warm and inviting feel that is the magic of bungalows.

Huntington Beach, Calif., David Greiman
My 1960s tract home had a few hints of bungalow style, with knee braces and Swiss scallops on the front gable, but an architectural monument it was not. After researching the style of the Greenes and others, I designed and fabricated new trim work, rounded and smoothed in the Greene tradition. The small entry is lined with mahogany, and the front door is solid mahogany as well.

by Judy Seckler

In 1999, Lisa Mann and John “Googe” Endieveri had been living about 15 minutes away from the gentrifying Garfield Heights neighborhood of northwest Pasadena and had been searching for a new home for about a year when, driving through the area one day, they spotted a “For Sale” sign in front of a large, stressed-looking bungalow with Swiss Chalet touches, which they quickly dubbed “the big red barn” because of the garish crimson and the white exterior paint that masked its most striking architectural details.

They immediately saw the potential of the 2,900-square-foot house. “It was just what we wanted,” Lisa says, “a large house with room for both an art studio and a music studio.” They learned that the home, whose exquisite original interior woodwork and built-ins were intact, had been designed in 1911 by Sylvanus Marston, one of the most prominent architects of Pasadena’s early boom years, the late 1880s to the 1920s. Marston was among a group of distinguished contemporaries — including Myron Hunt, Frederick Roehrig, and Charles and Henry Greene — who shaped what Kathleen Tuttle, author of Sylvanus Marston: Pasadena’s Quintessential Architect, calls the “unaffected elegance” of California Craftsman living.

But the need for extensive rehabilitation was obvious. The house had been neglected for many years even before the 1987 Whittier Narrows earthquake damaged the roofs of both the house and the garage and — they learned later, to their horror — left the brick chimney in danger of collapsing. The rafter tails and other exterior wood details needed to be replaced. Twenty-three windows were cracked or broken. The plumbing and electrical systems had deteriorated.

On the other hand, with the intricately carved and molded interior woodwork relatively undamaged (despite the fact that the house had once been home to a family with nine children), and considering its heritage, the opportunity to acquire it through a probate sale was what Googe calls “kismet.”

“I never thought I’d find an old home like this in California,” he says. Moreover, the City of Pasadena had designated Garfield Heights as a landmark district earlier that year. That meant, among other things, that the serene bungalow neighborhood would be immune to any further intrusion by the apartment buildings that had replaced so many of its Craftsman-era homes during the previous quarter-century. It also meant that if they restored the house and documented the restoration, they would qualify for a 25-percent reduction in their property taxes under the provisions of California’s Mills Act.

Bringing It Back

Lisa, an adjunct faculty member in animation and digital arts at the USC School of Cinema-Television, and Googe, a guitarist and recording-studio information-technology administrator who once toured with legendary rock drummer Ginger Baker (of Cream fame), planned the restoration carefully, and in stages.

It was six months before they and their three-year-old son, Mason, could move in. During that time, they had the broken windows replaced, pulled up the ubiquitous green shag carpeting and refinished the oak floors, installed new utility systems and renovated the bathrooms.

The family then lived in the house for a year before tackling a second wave of structural and cosmetic projects. They had the roofs redone and rebuilt the chimney, whose precarious condition had gone undetected until the roofers discovered it. After the rafter tails and other exterior elements were repaired, historic green and brown paints were then used to complement the home’s clapboard and shingle exterior. The interiors were painted in muted green and cream pastels.

Lisa used her artistic eye to deploy artwork throughout the home, including a panel of portraits and a series of postcard-art watercolors done by her maternal grandmother.

The “Elizabethtown” Kitchen

The most recent milestone in the home’s transformation occurred in 2004, when the producers of “Elizabethtown,” the 2005 Cameron Crowe comedy-drama, chose it as one of the film’s sets and, as part of the deal, agreed to give the kitchen a vintage makeover.

“I worked directly with the movie architect,” says Lisa, who worked in the film industry in the early 1990s and is an award-winning independent filmmaker in her own right. “I gave the crew Craftsman books and told them where to get historic fixtures and period hardware.” Her own contractor worked with the crew to get the necessary city permits. A breakfast nook that was built for the set replaced a former laundry area that was moved upstairs. The nook is now a room the family can enjoy for years.

Community Connections

The Mann-Endieveri bungalow has quickly become a social hub for the surrounding community. Lisa became a board member of the Garfield Heights Neighborhood Association and hosted meetings and worked on the neighborhood newsletter. “It was wonderful to connect with neighbors,” she says. Her suggestion to start a neighborhood block party became a reality and has helped add to the already heightened sense of community that residents of the area began developing during the 1990s, when they were working to gain its historic designation.

Googe often performs with band members at home barbecues, poker and holiday parties, art receptions and, most recently, a reunion party for Lisa’s fellow alumni from the experimental animation department of the California Institute of the Arts. His gleaming electric guitar has a place of honor in the living room in front the massive wood-framed fireplace surround faced with original Batchelder tile.

Mason, now nine, and his sister, Maxine, who arrived in a home birth in 2003, have established their own social circles among the neighborhood’s younger set, for whom Lisa’s orange-and-black food is an annual attraction at Halloween parties.

All About Heritage

The couple’s efforts to recreate a historically accurate, cozy haven have been recognized with local, state and federal historical preservation honors. And Rene Rubalcava, a neighbor who is a Pasadena Historic Preservation Commissioner, says the couple’s dedication to preservation is complete.
“They’ve given it a hundred percent,” she says. “Lisa has been so diligent with her research and about maintaining the house’s integrity. She hasn’t compromised on a thing.”

That is certainly evident in Sylvanus Marston’s comfortable informality and understated elegance, lovingly recovered after nearly a century.

Judy Seckler is a freelance writer specializing in art, design and architecture. She has written for a number of publications including Agence France-Presse, AFP; Ceramics Monthly and Whole Life Times. Her article “Craftsman Distilled: An Artist’s Bungalow Makeover” appeared in AB No. 51, Fall 2006.

Table of Contents
Number 52
Winter 2006 (Purchase Here)

BUNGALOW FEATURES

Neighborhood Preservation
Miracle on South Dunn Street
by Nancy Hiller
In a show of solidarity, a neighborhood’s
residents hold out for their principles just
long enough for a visionary developer to
come to the rescue.

Architects
Unaffected Elegance
by Judy Seckler
Prolific architect Sylvanus Marston was
one of a group of contemporaries who
gave Pasadena bungalows their distinctive
character. Now another of his masterful
homes has been restored.

Bungalow Lifestyles
Dorothy’s House: Remembering the
Home of the Future

by Paula Hendrickson
Three generations of two families have
burnished a hand-built 1921 bungalow
with the patina of their daily lives.

New Construction
Past Perfect: Envisioning
Greene & Greene, a Century Later

by John Luke
It wasn’t until after a night at the movies
that Ellyn and Jack Williams realized they
had always shared a love for classic
Craftsman masterpieces.

Show Us What You’ve Done
Less Is More
by Trish Oliver
A Michigan couple challenges the “bigfoots”
and wins.

Historic Preservation
Natural History
by Rebecca Kuzins
A developer collaborates with a city and its preservationists to save a historic residence.

Departments and Craftsman Resources

A Letter from the Publisher

Open House: Letters to the Editor

Family Album
From coast to coast, readers share their
bungalow restoration and preservation
achievements.

Antiques
Perspective on Antiques
with David Rudd
Our consultant responds to readers’ questions
on vintage furnishings.

New & Noteworthy
A potter and a rug designer find inspiration in nature, while a metalsmith and a furnituremaker draw on architectural precedents.

Arts & Crafts Profile
The Light of His Life:
William Morris Studio
by Terry Tsujioka
William Morris wants his lamps, with
distinctive shades made by his wife from mica, parchment and leaves, to speak for him.

Books
Stickley’s Craftsman Homes
by Ray Stubblebine
Review by John Luke

American Bungalow News
The Grove Park conference turns 20,
Chicago honors bungalow preservation
and neighborhoods around the country
gear up for holiday tours.

Directory of Advertisers

From Our Friends
Neighborhood Preservation
Shouldn’t Be Controversial

by Sandra Thompson
The bungalow architecture that promotes a
certain kind of neighborliness is under siege.

The Bungalow Bookstore
The holiday gift season is again approaching,
and the bookstore is stocking up with great
new titles.