Vancouver Island, B.C., Wendy and Stephen Jessen

Collingswood, N.J., Bob and Sherry Truitt
Our bungalow was built c. 1918. (As we were restoring our kitchen we found a 1918 newspaper used as insulation behind a large ceramic sink.) We are only the third owners. We have restored the bathroom with running-bond tile and a hexagonal-tile floor, and the breakfast room with a tin ceiling and a black-and-white tile floor. Most of the plantings are original varieties from the 1930s and ’40s. The daughter of the second owner gave us a photo of the house from the 1940s, when the Wisteria you now see was very small. It is a work in progress. We aren’t sure we will ever be quite done.

Atlanta, Ga., Dianne and Cary Aiken
Georgia is well known for its springtime azaleas, and the Morningside district of Atlanta is no exception. Brick bungalows from the 1920s predominate in the district, which was once a pecan grove on the outskirts of Atlanta. We have been restoring our bungalow for the past six years. We stripped, sanded, scraped and refinished, removing an average of eight layers of paint, paper and stippling. From local architectural salvage stores we have found and installed period lighting as well as knobs and fixtures. We are now working on our 1920s pottery collection and are always on the lookout for period furniture and furnishings.

Bellingham, Wash., Marian Exall
When my husband and I moved to Bellingham, I wanted an older home in the Craftsman style, of which there are many here, but my husband wanted a newly built home. We “compromised” on this new home with all the modern convenience he wanted and all the Craftsman details I wanted: leaded-glass front door, coffered wood ceiling in the dining room and slate floors in the kitchen. The views from the front porch take in the San Juan Islands, downtown Bellingham and the snow-capped Canadian Cascades. The builder was Northwest Construction.

Whittier, Calif., Scott & Heather Crawford
Built in 1910 by a prominent citrus grower, our house was sold by the family in 2002 to a local developer who planned to demolish it and build four new houses on the 3/4-acre lot. The City of Whittier and concerned neighbors fought the demolition, had it declared a historic resource, and in the end the developer gave up and moved on. We bought it in 2003 and have been busy reviving it. The original Douglas fir beams and wainscoting are intact and have the original finish. Good old wavy glass, push-button light switches and original light fixtures are also here to stay. This house is in better shape than the newer houses down the street.

DeWitt, Mich., Melodie Lee and Kevin Spicer
We are only the third owners of this 1922 bungalow. It has all-new mechanicals and kitchen cabinets and a couple of replacement sinks, but the woodwork, light fixtures and outbuildings, including the chicken coop, are all original. The wonderful woodwork — oak planks surrounding pine — plank centers on the lower level and pine dominating on the second level — has alligatored in places, which only adds to its unique charm. We bought the house the first time we entered it seven years ago. It is an outstanding blend of form and function, not to mention character and beauty. It has been a pleasure and privilege to steward it.

Vancouver, B.C., Grant Bunker
I believe that I’m the fourth owner of this modest 1914 two-bedroom house, which is in original condition except for the bathroom, which I restored to its original configuration complete with claw-foot tub. There are built-in benches in both the entrance and the dining room. A lovely all-windows sunroom off the master bedroom faces the north-shore mountains. There is a wonderfully efficient wood-burning fireplace in the living room. The house has been used in several TV and film features. The neighborhood has several similar homes that people are lovingly restoring.

Denver, Colo., Christopher Kunz and Joseph Brady
This is our house in the Denver’s Park Hill neighborhood. It was built in 1910 as a wedding present from a father to his daughter and her new husband. The couple had four children, three of whom died in 1918 from the influenza that was sweeping the country at that time. The house has all original fir woodwork and original intact windows. This neighborhood, where we have lived for almost two years, is filled with historic bungalows of many varieties.

The homes lining Monterey Avenue in Hermosa Beach, Calif., tend to be large — especially those that have been built during the past 15 or 20 years to replace the older stock of beach houses, most of them small to mid-size cottages, that went up on the city’s slopes in the early decades of the 20th century. The value of beachfront property being what it is, construction financing during these years has dictated larger, rather than smaller, homes. Larger doesn’t have to mean unattractive, of course, and the Monterey Avenue streetscape is graced with a number of striking revival and modernist homes that look down the half-mile slope toward the Strand, the Hermosa Beach Pier and out across the Pacific Ocean to Catalina Island some 26 miles offshore, easily visible on a clear day.

Even if all you know about the home architect Michael Lee designed for Steve Plenge and Kathy Briscoe in the 2200 block of Monterey is that it is “Craftsman inspired,” you’ll spot it quickly. Its sea-green shingled exterior, white trim, generous eaves and ocean-facing second-floor decks set it apart, even on a street lined with attention-grabbing houses.

As you approach the house from the street on an autumn afternoon, you walk up a slight rise, then turn left onto a porch that extends halfway across the house behind the shelter of a large meandering melaleuca tree. By the time you reach the heavy, red-stained front door at the far end of the porch you have already left the sights and sounds of the street far behind.

Passing through the door into an entryway from which three floor levels are visible, you are quite simply in another world. On your left is a large sunken living room whose walls are lined with white shelves and niches that are filled with ceramic vases of all sizes, shapes and colors. To your right is a dining room furnished with Stickley and Roycroft antiques, with more shelves housing ceramic vessels and figurines. Straight ahead, an open hallway (really more like a semi-enclosed catwalk) is illuminated by a two-story atrium, where stairways lead to upper and lower floors.

The hallway extends to another open area at the rear of the house. The sunlight that floods into these spaces through the atrium skylight and through large and small windows, is softly diffused by the white woodwork and gleaming hardwood floors.

Steve is the son of upstate New York parents. (His father, Edward, collaborated with L. and J. G. Stickley owners Alfred and Aminy Audi in developing the Craftsman Inn, which opened in Fayetteville, N.Y., in 1995.) Kathy was born in Southern California and grew up in Oregon. Both have mothers who are painters and avid lifelong collectors of Arts and Crafts antiques, and both grew up infused with a passion for collecting that they have now shared for years. Their airy, light-washed, multilevel home is, quite literally, the expression of that shared passion: it was designed to make the display of their collection the backdrop for the very active lives they share with their three daughters (the oldest of whom is an art major at New York University) and a large circle of friends and associates.

Arts and Crafts interior designer and author Su Bacon, owner of Historic Lighting in Monrovia, Calif., met the couple in 2002, when they asked her to help them and architect Michael Lee turn the cozy little 1930s beach house they had purchased on one of Hermosa Beach’s eight residential “super lots” into a special kind of living museum — one that emphasized living, and beach living in particular, while embracing the Craftsman aesthetic embodied in their large, eclectic collection of art and artifacts. Kathy recalls that during their first meeting she and Steve were going through several of the Arts and Crafts design books they had acquired, pointing out what they liked best, when they realized that features they especially admired were those Bacon had designed for homes shown in Ros Byam Shaw’s Living with Arts & Crafts. “Every time I pointed to a room or an interior detail, Su said, ‘Well, that’s mine,’” Kathy says. “It was amazing!”

“Steve and Kathy are very much ‘beach people,’” Bacon says. “They both surf, they both view the beach as their natural back yard. And like all beach people, for them the beach means sun. They and their architect, Michael Lee, wanted a house that brings sunlight in from dawn to dusk, and in fact the house is oriented in such a way that the first rays of the morning sun pour into the dining room, where Kathy has her morning coffee, and the last light of the sunset over the Pacific illuminates the living room, with all the art it contains. The atrium, of course, allows sunlight to filter into the center of the house all day long. Everything works to allow plenty of light, but without excessive heating.

“This was in so many ways a very fun experience,” she says. “We were able to experiment, to push it a little, because it’s what we call a ‘paint grade’ rather than a ‘stain grade’ Craftsman. We used white trim and earth tones to keep the interior bright without overwhelming the collection — actually, to give the collection a stage, a dramatic context.”

Functionally, the house’s three main levels — two above grade and one below — provide clean, convenient separation of activities. Three of the bedrooms and baths, the decks and the laundry are on the top floor, where the couple’s two younger daughters, Sarah, 8, and Kathryn, 3, share a pair of bedrooms and a bath, the “rainbow rooms,” painted in pastel colors of their choice.

A second master bedroom, on an intermediate level with its own outside entry, is a guest room reserved for Sharsten, their older daughter, when she is home from college. In addition to the dining room and sunken living room, the main floor includes the kitchen, with ample seating for informal dining and socializing, where friends and family congregate at a beautiful wood-topped bar. In the evening, the light from the atrium chandelier spreads a glow throughout the house.

A small library space and powder room connect the living room to a separate family room and guest suite and to a lower level that houses an entertainment center, wine cellar and a separate, small intermediate space devoted to the home’s utilities and storage. The guest suite contains a small kitchen, full bath, second laundry room, large stone fireplace and French doors that open directly onto the courtyard, which has a built-in outdoor fireplace and barbeque area. Across the courtyard, a two-story structure houses a garage, another guest suite above it and a rooftop deck where family and friends routinely gather for a glass of wine at sunset during the long Southern California summer to enjoy views of the Pacific.

Standing on the deck of the master bedroom, overlooking Monterey Avenue as it curves down the hill toward the beach, Steve points out that because of the slope, there is no possibility that the view of the ocean could be obscured by another house. “It’s a perfect location,” he says. “That’s why we picked it.”

Sitting in the living room, while the kids play in the patio with Chester the guinea pig and Rosie, the family’s black Lab, and while Jazz, the 13-year-old, 18-pound Siamese, naps in the sun between them, they reflect on a home well done.

“It took us five years to get to the final plan,” Kathy says. “We spent two years just doing functional ‘story boards,’ and Mike produced five plans before we settled on what we have today. Mike, Su Bacon and our contractor, Frank Abate, were a fantastic team. We couldn’t be happier. The house has worked out beautifully as a gathering place for our extended family and friends.”

Table of Contents

BUNGALOW FEATURES

Brand-New Bungalows
Ocean’s Light: A Sun-Drenched
Craftsman Overlooks the Pacific
by John Luke
A spacious home was designed as a stage
for expressing its owners’ shared passion
for Arts and Crafts collecting.

Marvelous Possessions, Everyday
Pleasures: Collecting for Daily Life
by Terry Tsujioka
“We live with our things,” says Pat Spievak.
“We put flowers in the vases, water our
plants with the pitchers and freshen the air
with candles in the float bowls.”

Architects
The House that Differs: Restoring
an Alfred Faber Masterwork
by Lori Patch
“The exterior of a dwelling in these times,”
the architect wrote, “can be as original as
the genius of the designer will permit.”

Reader’s Renovation
A Wrightian Apartment
by Teri Sue Wolf
An amateur designer puts her reverence for
Frank Lloyd Wright to work in renovating
her West Los Angeles apartment.

Light and Mood
by Thomas Shess
An artist’s timeless bungalow embodies
his respect for the spirit of the house,
the street and the neighborhood.

A Kitchen that “Lives Up”
by Joseph G. Metzler
An architect updates a Sears bungalow
kitchen by interpreting its original character
in light of the central role kitchens play in
contemporary life.

Departments and Craftsman Resources

A Letter from the Publisher

Open House: Letters to the Editor
An ill wind blows in one Chicago
neighborhood, a reader recalls his childhood near Robert Stacy-Judd’s Mayan bungalows and artisan Larry Word explains how to
recreate antique MAZDA light bulbs. Plus
garlows, yard signs and mysterious bird tiles.

Family Album
From coast to coast, readers share their
bungalow restoration and preservation
achievements.

Antiques
Perspective on Antiques
with David Rudd
Our consultant responds to readers’ questions
on vintage furnishings.

New & Noteworthy
A new collection of Prairie carpets debuts,
along with new creations from Thomas
Stangeland, Steve and Mary Ann Voorhees
and Harden Furniture.

Arts & Crafts Profile
An Artist’s Natural Inspiration:
Lewellen Studio
by Terry Tsujioka
Norm Lewellen’s bronze and stone plaques are neither sculpture nor painting, but a creative fusion of the two.

Books
Purcell & Elmslie:
Prairie Progressive Architects
by David Gebhard, Ed. by Patricia Gebhard
At Home on the Prairie:
The Houses of Purcell & Elmslie
by Dixie Legler and Christian Korab
Review by John Luke

American Bungalow News
Bungalows come in the most unusual sizes,
it seems, if you’ve got enough ingenuity.
And the coming months are a home
tourist’s cornucopia.

Directory of Advertisers

From Our Friends
The Lives of Old Houses
by Paula Carli
An old Craftsman house has a warm,
friendly yet strong presence about it that is impossible to duplicate.
When it’s lost, renew your search.

The Bungalow Bookstore
New arrivals feature kit homes and the
Shingle Style, and the bookstore opens a
new section, “American Places.”